{"id":24523,"date":"2018-10-22T00:00:54","date_gmt":"2018-10-22T04:00:54","guid":{"rendered":"http:\/\/operawire.wpengine.com\/?p=24523"},"modified":"2018-10-22T16:54:04","modified_gmt":"2018-10-22T20:54:04","slug":"opera-profile-john-adams-nixon-in-china","status":"publish","type":"post","link":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/","title":{"rendered":"Opera Profile: John Adams&#8217; &#8216;Nixon In China&#8217;"},"content":{"rendered":"<p>There aren\u2019t all that many 20<sup>th<\/sup> century operas that have had the resounding success of John Adams\u2019 \u201cNixon in China.\u201d<\/p>\n<p>The opera had its world premiered on Oct. 22, 1987 at the Houston Grand Opera in a production by Peter Sellars, a frequent collaborator of the composer.<\/p>\n<p>Adams\u2019 opera is unique in how it utilizes a large saxophone section, additional percussion, and even an electronic synthesizer.<\/p>\n<p>While initial reviews for the work were mixed, the opera has thrived around the world, and the critical response has changed significantly, with The Guardian calling it a \u201cGenuine Contemporary Opera.\u201d<\/p>\n<h3>Short Plot Summary<\/h3>\n<p>Nixon\u2019s Spirit of \u201976 aircraft touches down on the Peking Airport, where he arrives with his wife and Henry Kissinger. He is met by the Chinese premier Chou En-lai.<\/p>\n<p>The group heads over to Mao\u2019s study and after discussions in front of reporters, they head to the Great Hall of the People for a Toast. Nixon says, \u201c\u00a0&#8220;Everyone, listen; just let me say one thing. I opposed China, I was wrong.\u201d<\/p>\n<p>Pat Nixon tours the city and is captivated by children at a school. She envisions a peaceful future at the Summer Palace. Meanwhile, the Presidential party heads over to the Peking Opera for a performance of \u201cThe Red Detachment of Women.\u201d Pat Nixon, deeply moved by the show, rushes onstage to help a peasant women girl that she thinks is being attacked. This draws a negative reaction from Chiang Ch\u2019ing, Mao\u2019s wife.<\/p>\n<p>In the final act, the chief protagonists muse on their past experiences and consider the future.<\/p>\n<h3>Watch and Listen<\/h3>\n<p>Here is a recording from the English National Opera; the score appears on screen for you to follow.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5qTaeF9x8wk\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7m7G06m0rXY\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/OoxaunpyA0g\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/otGRqG3vM-k\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There aren\u2019t all that many 20th century operas that have had the resounding success of John Adams\u2019 \u201cNixon in China.\u201d The opera had its world premiered on Oct. 22, 1987 at the Houston Grand Opera in a production by Peter Sellars, a frequent collaborator of the composer. Adams\u2019 opera is unique in how it utilizes a large saxophone section, additional&nbsp;{&hellip;}<\/p>\n","protected":false},"author":2,"featured_media":24524,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1858],"tags":[345,449],"class_list":["post-24523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opera-wiki","tag-john-adams","tag-nixon-in-china"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Opera Profile: John Adams&#039; &#039;Nixon In China&#039; - OperaWire<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Opera Profile: John Adams&#039; &#039;Nixon In China&#039; - OperaWire\" \/>\n<meta property=\"og:description\" content=\"There aren\u2019t all that many 20th century operas that have had the resounding success of John Adams\u2019 \u201cNixon in China.\u201d The opera had its world premiered on Oct. 22, 1987 at the Houston Grand Opera in a production by Peter Sellars, a frequent collaborator of the composer. Adams\u2019 opera is unique in how it utilizes a large saxophone section, additional&nbsp;{&hellip;}\" \/>\n<meta property=\"og:url\" content=\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\" \/>\n<meta property=\"og:site_name\" content=\"OperaWire\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/operawire\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-10-22T04:00:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-10-22T20:54:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/operawire.com\/wp-content\/uploads\/2018\/10\/gp_nixonchina_t800.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"620\" \/>\n\t<meta property=\"og:image:height\" content=\"413\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"David Salazar\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@operawirenews\" \/>\n<meta name=\"twitter:site\" content=\"@operawirenews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"David Salazar\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\"},\"author\":{\"name\":\"David Salazar\",\"@id\":\"https:\/\/operawire.com\/#\/schema\/person\/c889c748e34fb190f9ba97b1b89f0558\"},\"headline\":\"Opera Profile: John Adams&#8217; &#8216;Nixon In China&#8217;\",\"datePublished\":\"2018-10-22T04:00:54+00:00\",\"dateModified\":\"2018-10-22T20:54:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\"},\"wordCount\":289,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/operawire.com\/#organization\"},\"keywords\":[\"john adams\",\"nixon in china\"],\"articleSection\":[\"Opera Wiki\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\",\"url\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\",\"name\":\"Opera Profile: John Adams' 'Nixon In China' - OperaWire\",\"isPartOf\":{\"@id\":\"https:\/\/operawire.com\/#website\"},\"datePublished\":\"2018-10-22T04:00:54+00:00\",\"dateModified\":\"2018-10-22T20:54:04+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/operawire.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Opera Profile: John Adams&#8217; &#8216;Nixon In China&#8217;\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/operawire.com\/#website\",\"url\":\"https:\/\/operawire.com\/\",\"name\":\"OperaWire\",\"description\":\"The high and low notes from around the international opera stage\",\"publisher\":{\"@id\":\"https:\/\/operawire.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/operawire.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/operawire.com\/#organization\",\"name\":\"Opera Wire\",\"url\":\"https:\/\/operawire.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/operawire.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/operawire.com\/wp-content\/uploads\/2020\/02\/favicon.png\",\"contentUrl\":\"https:\/\/operawire.com\/wp-content\/uploads\/2020\/02\/favicon.png\",\"width\":500,\"height\":500,\"caption\":\"Opera Wire\"},\"image\":{\"@id\":\"https:\/\/operawire.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/operawire\/\",\"https:\/\/twitter.com\/operawirenews\",\"https:\/\/www.instagram.com\/operawire\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/operawire.com\/#\/schema\/person\/c889c748e34fb190f9ba97b1b89f0558\",\"name\":\"David Salazar\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/operawire.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/18d0078dbd2a6dd99607065f7dae743e?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/18d0078dbd2a6dd99607065f7dae743e?s=96&d=mm&r=g\",\"caption\":\"David Salazar\"},\"description\":\"Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. David holds a Masters in Media Management from Fordham University. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. He also holds a dual bachelor\u2019s from Hofstra University in Film Production and Journalism.\",\"url\":\"https:\/\/operawire.com\/author\/davesy22\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Opera Profile: John Adams' 'Nixon In China' - OperaWire","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/","og_locale":"en_US","og_type":"article","og_title":"Opera Profile: John Adams' 'Nixon In China' - OperaWire","og_description":"There aren\u2019t all that many 20th century operas that have had the resounding success of John Adams\u2019 \u201cNixon in China.\u201d The opera had its world premiered on Oct. 22, 1987 at the Houston Grand Opera in a production by Peter Sellars, a frequent collaborator of the composer. Adams\u2019 opera is unique in how it utilizes a large saxophone section, additional&nbsp;{&hellip;}","og_url":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/","og_site_name":"OperaWire","article_publisher":"https:\/\/www.facebook.com\/operawire\/","article_published_time":"2018-10-22T04:00:54+00:00","article_modified_time":"2018-10-22T20:54:04+00:00","og_image":[{"width":620,"height":413,"url":"https:\/\/operawire.com\/wp-content\/uploads\/2018\/10\/gp_nixonchina_t800.jpg","type":"image\/jpeg"}],"author":"David Salazar","twitter_card":"summary_large_image","twitter_creator":"@operawirenews","twitter_site":"@operawirenews","twitter_misc":{"Written by":"David Salazar","Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/#article","isPartOf":{"@id":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/"},"author":{"name":"David Salazar","@id":"https:\/\/operawire.com\/#\/schema\/person\/c889c748e34fb190f9ba97b1b89f0558"},"headline":"Opera Profile: John Adams&#8217; &#8216;Nixon In China&#8217;","datePublished":"2018-10-22T04:00:54+00:00","dateModified":"2018-10-22T20:54:04+00:00","mainEntityOfPage":{"@id":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/"},"wordCount":289,"commentCount":0,"publisher":{"@id":"https:\/\/operawire.com\/#organization"},"keywords":["john adams","nixon in china"],"articleSection":["Opera Wiki"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/","url":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/","name":"Opera Profile: John Adams' 'Nixon In China' - OperaWire","isPartOf":{"@id":"https:\/\/operawire.com\/#website"},"datePublished":"2018-10-22T04:00:54+00:00","dateModified":"2018-10-22T20:54:04+00:00","breadcrumb":{"@id":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/operawire.com\/opera-profile-john-adams-nixon-in-china\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/operawire.com\/"},{"@type":"ListItem","position":2,"name":"Opera Profile: John Adams&#8217; &#8216;Nixon In China&#8217;"}]},{"@type":"WebSite","@id":"https:\/\/operawire.com\/#website","url":"https:\/\/operawire.com\/","name":"OperaWire","description":"The high and low notes from around the international opera stage","publisher":{"@id":"https:\/\/operawire.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/operawire.com\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/operawire.com\/#organization","name":"Opera Wire","url":"https:\/\/operawire.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/operawire.com\/#\/schema\/logo\/image\/","url":"https:\/\/operawire.com\/wp-content\/uploads\/2020\/02\/favicon.png","contentUrl":"https:\/\/operawire.com\/wp-content\/uploads\/2020\/02\/favicon.png","width":500,"height":500,"caption":"Opera Wire"},"image":{"@id":"https:\/\/operawire.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/operawire\/","https:\/\/twitter.com\/operawirenews","https:\/\/www.instagram.com\/operawire\/"]},{"@type":"Person","@id":"https:\/\/operawire.com\/#\/schema\/person\/c889c748e34fb190f9ba97b1b89f0558","name":"David Salazar","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/operawire.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/18d0078dbd2a6dd99607065f7dae743e?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/18d0078dbd2a6dd99607065f7dae743e?s=96&d=mm&r=g","caption":"David Salazar"},"description":"Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau and Rolando Villazon among others. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. David holds a Masters in Media Management from Fordham University. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. He also holds a dual bachelor\u2019s from Hofstra University in Film Production and Journalism.","url":"https:\/\/operawire.com\/author\/davesy22\/"}]}},"wps_subtitle":"","_links":{"self":[{"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/posts\/24523"}],"collection":[{"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/comments?post=24523"}],"version-history":[{"count":0,"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/posts\/24523\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/media\/24524"}],"wp:attachment":[{"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/media?parent=24523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/categories?post=24523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/operawire.com\/wp-json\/wp\/v2\/tags?post=24523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}