{"id":329,"date":"2016-12-08T17:00:45","date_gmt":"2016-12-08T22:00:45","guid":{"rendered":"http:\/\/operawire.wpengine.com\/?p=329"},"modified":"2016-12-15T09:44:00","modified_gmt":"2016-12-15T14:44:00","slug":"antonella-delli-carpini-on-singing-teaching-menottis-amahl-and-the-night-visitors-exclusive-interview","status":"publish","type":"post","link":"https:\/\/operawire.com\/antonella-delli-carpini-on-singing-teaching-menottis-amahl-and-the-night-visitors-exclusive-interview\/","title":{"rendered":"Antonella Delli Carpini on Singing & Teaching Menotti’s ‘Amahl and the Night Visitors’ [Exclusive Interview]"},"content":{"rendered":"

\u201cYou could research my family as far back as the 1600\u2019s and you wouldn\u2019t find anyone anywhere involved in music,\u201d declared mezzo soprano Antonella Delli Carpini during a recent chat with Opera Wire in anticipation of her upcoming performance as the mother in Menotti\u2019s \u201cAmahl and the Night Visitors\u201d at Opera Breve.<\/a><\/p>\n

But now she is the first. And it came about very early on in her life. Delli Carpini simply wanted perform for NYSSMA (New York State School Music Association). Seeking some guidance in taking on the audition, she went to her high school teacher who promptly found talent in her young student.<\/p>\n

And then it was all set in motion.<\/p>\n

A Versatile Career<\/strong><\/p>\n

\u201cMy teacher immediately went to my parents and told them that I really needed to be a singer,\u201d she explained. From there she went to study with \u201cthe best voice teacher their ever will be\u201d Cornelius Reed and her career blossomed. She attended the University of Nebraska for both her bachelor and masters and has since peformed roles in \u201cLa Cenerentola,\u201d \u201cDie Zauberflote,\u201d \u201cAdriana Lecouvreur,\u201d \u201cMadama Butterfly,\u201d \u201cSuor Angelica,\u201d \u201cDead Man Walking\u201d and \u201cLa Boheme\u201d among others. She has also done concert series in Italy and as a part of Lincoln Center\u2019s Mostly Mozart Festival under the baton of Louis Langree. She also made her Carnegie Hall debut in Haydn\u2019s \u201cHaromienmesse.\u201d Her hopes are that some day she can do such roles as Eboli in Verdi’s “Don Carlo” and Leonora in Donizetti’s “La Favorita.”<\/p>\n

But Delli Carpini\u2019s impact is not only onstage, but off of it as she seeks to ensure that no other families go \u201cmusic-less\u201d for half a millennium. During the day teaches a chorus at an inner city school in Mount Vernon, NY where she spends a lot of the time ingraining students in the process and preparation of musical performances, bringing in her musical score and going into intense detail about every marking and what it means.<\/p>\n

\u201cI show them my score and the overall process of preparing the role. That includes where I mark my beats, the IPA if it is in a foreign language,\u201d she elaborated. \u201cI want them to understand the character development and what makes a character walk across the stage. I think that sometimes they believe it is as simple as walking on stage and singing. They think it is already a finished product. I want them to see what it really takes.\u201d<\/p>\n

Teaching & Performing ‘Amahl’<\/strong><\/p>\n

One score that she teaches year-in and year-out is none other than \u201cAmahl and the Night Visitors,\u201d an opera she learned in college and \u201cloved it so much that I had to bring it into the classroom.\u201d<\/p>\n

The opera, which was written for an NBC broadcast back on Dec. 24, 1951<\/a>, is one that she feels is \u201ca beautiful introductory opera for people that are maybe not used to going to the opera. With my students, we analyze the story, \u00a0characters, the setting and how Menotti uses music to express the plot and a character throughout the work.\u201d<\/p>\n

Now some of those students will get an opportunity to experience that opera they have learned so much about, but this time with their own teacher in the role of Amahl\u2019s mother.<\/p>\n

Amahl\u2019s mother goes through a tremendous crisis of faith throughout the work, seeing her crippled son and her struggle to make ends meet, all the while experiencing a rather difficult relationship between the two marred by lies. At her low point, the mother winds up stealing gold to salvage their livelihood.<\/p>\n

\u201cI would have taken the gold,\u201d Delli Carpini admitted when talking about how she connects with the character. \u201cShe\u2019s a worrier and I worry. I\u2019m not a mother but I worry a lot about my students. She is so focused on protecting her son, that like anyone she gets frustrated. Amahl lies a lot and when she grows frustrated with him, I draw back to when I get frustrated with my students.\u201d<\/p>\n

But at the same time, Delli Carpini finds that there is a lot for her to learn from this character in the qualities that she cannot find within herself.<\/p>\n

\u201cI admire her faith. Without seeing her son walk, she has an incredibly amount of faith in this king and the change that he can bring. I wouldn\u2019t take it at face-value. I would need to see him to truly believe,\u201d the mezzo soprano revealed. \u00a0\u201cBut I hope that as I leave this role, that that might be a part of her that I take with me.\u201d<\/p>\n

Most exciting for Delli Carpini is the prospect of playing out the drama with Ethan Laird and Lior Schwartz, two young boys taking on the title role. \u201cI learn a lot from how they use their faces to express their emotions. And not to mention how hard they work. This is a challenging score and both boys have done a wonderful job learning the music and memorizing it,\u201d she enthused. \u201cThey have rejuvenated the artistic process for me and my colleagues<\/a> because they bring so much energy. It\u2019s really lovely to play off them and have that presence onstage. They remind me of how hard I worked to get here.\u201d<\/p>\n

\u201cAmahl and the Night Visitors<\/a>\u201d premieres Dec. 8 at 7 p.m. and runs through the 11th<\/sup> for a total of four performances at the St. Michael\u2019s Parish in NY.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cYou could research my family as far back as the 1600\u2019s and you wouldn\u2019t find anyone anywhere involved in music,\u201d declared mezzo soprano Antonella Delli Carpini during a recent chat with Opera Wire in anticipation of her upcoming performance as the mother in Menotti\u2019s \u201cAmahl and the Night Visitors\u201d at Opera Breve. But now she is the first. And it {…}<\/p>\n","protected":false},"author":2,"featured_media":308,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,254,1],"tags":[170,31,32],"class_list":["post-329","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-indieopera","category-interviews","category-uncategorized","tag-amahl-and-the-night-visitors","tag-indieopera","tag-menotti"],"acf":[],"yoast_head":"\nAntonella Delli Carpini on Singing & Teaching Menotti's 'Amahl and the Night Visitors' [Exclusive Interview] - OperaWire<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operawire.com\/antonella-delli-carpini-on-singing-teaching-menottis-amahl-and-the-night-visitors-exclusive-interview\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Antonella Delli Carpini on Singing & Teaching Menotti's 'Amahl and the Night Visitors' [Exclusive Interview] - OperaWire\" \/>\n<meta property=\"og:description\" content=\"\u201cYou could research my family as far back as the 1600\u2019s and you wouldn\u2019t find anyone anywhere involved in music,\u201d declared mezzo soprano Antonella Delli Carpini during a recent chat with Opera Wire in anticipation of her upcoming performance as the mother in Menotti\u2019s \u201cAmahl and the Night Visitors\u201d at Opera Breve. 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