{"id":83253,"date":"2023-11-16T12:18:37","date_gmt":"2023-11-16T17:18:37","guid":{"rendered":"https:\/\/operawire.com\/?p=83253"},"modified":"2023-11-16T12:18:37","modified_gmt":"2023-11-16T17:18:37","slug":"opera-meets-film-new-camarata-operas-animated-opera-one-train-and-its-magic","status":"publish","type":"post","link":"https:\/\/operawire.com\/opera-meets-film-new-camarata-operas-animated-opera-one-train-and-its-magic\/","title":{"rendered":"Opera Meets Film: New Camarata Opera&#8217;s Animated Opera &#8216;One Train&#8217; and Its Magic"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">An exciting new project by <\/span><a href=\"https:\/\/www.newcamerataopera.org\/\"><span style=\"font-weight: 400;\">New Camerata Opera<\/span><\/a><span style=\"font-weight: 400;\">, the animated short-film opera entitled &#8220;<a href=\"https:\/\/newcamerataopera.vhx.tv\/products\/one-train-1\">One Train<\/a>,&#8221; bears the markers of a great path towards making opera more inviting. A joint effort by librettist <\/span><a href=\"https:\/\/www.altnyc.org\/hannah-mcdermott\"><span style=\"font-weight: 400;\">Hannah McDermott<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/hilarypurrington.com\/index.html\"><span style=\"font-weight: 400;\">Hilary Purrington<\/span><\/a><span style=\"font-weight: 400;\">, the story weaves a path of awareness, magic and selflessness. It is bound to surprise even the most well-seasoned opera goer. This may be a helpful way to introduce opera to children in a healthy, productive, and easy way. The film is both nurturing and innovative in its storytelling and visual language. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">I recommend anyone to check it out and share with your little ones!<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">The Story of \u2018One Train\u2019<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">The libretto, written by <\/span><a href=\"https:\/\/www.altnyc.org\/hannah-mcdermott\"><span style=\"font-weight: 400;\">Hannah McDermott<\/span><\/a>, <span style=\"font-weight: 400;\">centers around the life of a young girl named Miriam and her mother, on their way to school. The events leave both changed for good and reveal universal truths.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Beginning on the New York subway, a young girl named Miriam, played by <\/span><a href=\"http:\/\/www.kristinreneeyoung.com\/\"><span style=\"font-weight: 400;\">Kristin Renee Young<\/span><\/a>,<span style=\"font-weight: 400;\"> is hurried into the car bound for departure by her mother, played by <\/span><a href=\"https:\/\/www.newcamerataopera.org\/our-team\"><span style=\"font-weight: 400;\">Julia Tang<\/span><\/a>,<span style=\"font-weight: 400;\"> for the first day of the new school year. It becomes quickly apparent that their journey is no ordinary venture as, in bright colors and histrionic display, a homeless magician, played by <\/span><a href=\"https:\/\/www.stanlacy.com\/\"><span style=\"font-weight: 400;\">Stan Lacy<\/span><\/a>,<span style=\"font-weight: 400;\">\u00a0is seen making his way through the car asking, \u201cAny food to spare?\u201d Without reservation, Miriam offers her bagged fries to him who, in the blink of an eye, turns them into a bouquet of lush flowers with a flourish of purple smoke. Amazed by the scene, Miriam tries to get her mom\u2019s attention but it becomes clear she will be on her own.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The magician reveals his identity and beseeches her to see \u201call the magic\u201d that surrounds her, which is to say the magic <\/span><span style=\"font-weight: 400;\">of \u201cmeeting old friends and new\u201d and learning about the dreams of those we meet. The opera unfolds from here and an introduction to the characters unfolds, each with their own dreams and stories: Marcus, played by <\/span><a href=\"https:\/\/www.erikbagger.dk\/\"><span style=\"font-weight: 400;\">Erik Bagger<\/span><\/a><span style=\"font-weight: 400;\">, a struggling actor on his way to a huge audition which will change his life, Kevin, played by <\/span><a href=\"https:\/\/www.imdb.com\/name\/nm0646913\/\"><span style=\"font-weight: 400;\">Kyle Oliver<\/span><\/a>,<span style=\"font-weight: 400;\"> a second-generation immigrant to the United States on a quest to restore his parents\u2019 button store, and Rea, played by <\/span><a href=\"https:\/\/www.mariabreasoprano.com\/\"><span style=\"font-weight: 400;\">Maria Brea<\/span><\/a>,<span style=\"font-weight: 400;\">\u00a0a nurse at a local hospital whose stayed up quite late and is ready to sleep. She becomes one of the more important figures in the story as she calls for a more altruistic, selfless world, aching for a vacation to restore herself.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Having gone on this journey with the magician, Miriam comes to understand what magic really is in the world that surrounds her. It seems that not everyone can see the magician nor is interested in helping each other experience the magic Miriam had discovered on this short but fruitful commute. The magician gives her a flower, a lasting impression of his message, and as she steps off and proceeds with her day, her mother asks about it. \u201cA dream coming true\u201d says Miriam, and through the look in the mother\u2019s eye, her dream of a flower shop may be the next dream to be fulfilled, a life lead in pursuit of one\u2019s ambitions with eyes on the wide world around us.\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<h2><span style=\"font-weight: 400;\">A New Take on Children\u2019s Opera<\/span><\/h2>\n<p><span style=\"font-weight: 400;\">Children\u2019s operas have somewhat fallen away from public performance, but they haven\u2019t disappeared just yet. Notable operas written <\/span><i><span style=\"font-weight: 400;\">for <\/span><\/i><span style=\"font-weight: 400;\">children like <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Brundib%C3%A1r\"><span style=\"font-weight: 400;\">Brundib\u00e1r<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Puss_in_Boots_(opera)\"><span style=\"font-weight: 400;\">Puss in Boots<\/span><\/a><span style=\"font-weight: 400;\"> define the historic end of the genre while more recent operas like <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Little_Prince\"><span style=\"font-weight: 400;\">The Little Prince<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/en.wikipedia.org\/wiki\/Children_of_Ginko\"><span style=\"font-weight: 400;\">Children of Ginko<\/span><\/a><span style=\"font-weight: 400;\"> have brought the genre into the contemporary present. New Camarata\u2019s Opera has reframed children\u2019s opera in light of new technology like animation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For composer <\/span><a href=\"https:\/\/www.hilarypurrington.com\/index.html\"><span style=\"font-weight: 400;\">Hilary Purrington<\/span><\/a><span style=\"font-weight: 400;\">, the opera is about teaching children the wonders of the world around them. As she notes, \u201cThis opera teaches the main character to look beyond the familiar and become acquainted with the lives of people very different from her.\u201d Such sentiments are echoed by <\/span><a href=\"https:\/\/www.instagram.com\/catarata.tv\/\"><span style=\"font-weight: 400;\">Carlos Araya<\/span><\/a><span style=\"font-weight: 400;\">, director of Cartarata Studios, \u201cWith One Train, we seek to instill a sense of unity and empathy, reminding us all that we are not alone in our struggles.\u201d With the animated element, the story becomes a tangible, entertaining medium to show the multi-dimensionality of what is often left undiscovered. Children\u2019s opera rarely shies away from challenging subject matter. Rather than hide the rougher parts of life, it\u2019s about how to show the world so they can make their own choices.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The short film was, as it\u2019s been shared, rather arduous to put together and demanded an exceptional ability for pacing and negotiation between music, story, and animation. As Purrington noted, \u201cIt was challenging to compose a concise work\u2026that is musically cohesive and creates unique musical worlds for each of the characters.\u201d Given the film\u2019s short length, only 14 minutes in total, making sure the music and story was fully concluded and developed remained a central struggle throughout the project. At the heart of the project, however, is the attempt to make opera a much more accessible culture to engage with, for both children and adults.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From a personal level, my experience with opera at an early age was on the main stage but this isn\u2019t always the case for many kids who live without direct access to opera theatre, the musical arts, or music in general. Thus, this new animated film is a wonderful method by which children can be exposed to opera which nourishes their hearts and minds at the same time. As New Camarata aptly observed, \u201cOutside of major cities like New York, Chicago, and San Francisco, it can be very challenging to attend operas at all, let alone at an affordable price.\u201d <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kids today are fortunate to have such fun, made a global affair with projects like <\/span><a href=\"https:\/\/operawire.com\/a-sit-down-with-petite-opera-house-and-their-educational-mission\/\"><span style=\"font-weight: 400;\">Petite Opera House<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; An exciting new project by New Camerata Opera, the animated short-film opera entitled &#8220;One Train,&#8221; bears the markers of a great path towards making opera more inviting. A joint effort by librettist Hannah McDermott and Hilary Purrington, the story weaves a path of awareness, magic and selflessness. It is bound to surprise even the most well-seasoned opera goer. This&nbsp;{&hellip;}<\/p>\n","protected":false},"author":80,"featured_media":83254,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2348,6],"tags":[1797],"class_list":["post-83253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opera-meets-film","category-high-notes","tag-new-camarata-opera"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Opera Meets Film: New Camarata Opera&#039;s Animated Opera &#039;One Train&#039; and Its Magic - OperaWire<\/title>\n<meta name=\"description\" content=\"An exciting new project by New Camerata Opera, the animated short-film opera entitled &quot;One Train,&quot; bears the markers of a great path towards making opera more inviting.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operawire.com\/opera-meets-film-new-camarata-operas-animated-opera-one-train-and-its-magic\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Opera Meets Film: New Camarata Opera&#039;s Animated Opera &#039;One Train&#039; 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