{"id":8647,"date":"2018-08-03T00:00:36","date_gmt":"2018-08-03T04:00:36","guid":{"rendered":"http:\/\/operawire.wpengine.com\/?p=8647"},"modified":"2018-02-27T07:28:49","modified_gmt":"2018-02-27T12:28:49","slug":"the-william-tell-overtures-massive-pop-culture-crossover","status":"publish","type":"post","link":"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/","title":{"rendered":"The William Tell Overture&#8217;s Massive Pop Culture Crossover"},"content":{"rendered":"<p>Rossini\u2019s \u201cGuillaume Tell\u201d is quite a unique case. Premiering on August 3, 1829, the opera is considered by many to contain some of Rossini\u2019s greatest dramatic genius. And yet the opera has never quite held a proper place in the operatic canon the way that his \u201cIl Barbiere di Siviglia\u201d or even \u201cLa Cenerentola\u201d have.<\/p>\n<p>And yet, in some ways, it is his most widely known work, thanks to the famous overture that has made its way into pop culture. But how popular is the opera\u2019s overture? Here\u2019s a look at how it has made its way into pop culture.<\/p>\n<p><strong>The Lone Ranger<\/strong><strong>\u00a0<\/strong><\/p>\n<p>Without a doubt, this is the most famous association that the opera has with any piece of popular entertainment, the fourth section (also known as the March of the Swiss Soldiers) of the overture featuring prominently as the theme song for the famed character.<\/p>\n<p>Here is the original arrangement followed by Hans Zimmer\u2019s remake for the new Disney movie:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hxIuIxqo2So\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/RZIVphczMbY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>The Adventures of William Tell<\/strong><\/p>\n<p>The British TV series also prominently showcased an arrangement of the theme by Rossini. In fact, the TV\u2019s version included lyrics with the song entitled The Freedom Song \u2013 &#8220;Marching Behind William Tell.\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/vSwFixlL8Vk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Cartoons<\/strong><strong>\u00a0<\/strong><\/p>\n<p>The overture has appeared in a number of cartoons, including \u201cThe Band Concert,\u201d \u201cBugs Bunny\u2019s Overtures to Disaster, Yankee Doodle Daffy,\u201d and \u201cThe Flintstones.\u201d The third section of the overture, known as the \u201cRanz des Vaches\u201d appears in \u201cBambi Meets Godzilla.\u201d<\/p>\n<p><strong>Commercials<\/strong><strong>\u00a0<\/strong><\/p>\n<p>There is a laundry list of commercials that have employed this famous piece of musical genius. Reebok and Honda have utilized it as has Jeno\u2019s Pizza Rolls. Lark Cigarettes also employed the famous commercial.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/s9aU-NBNADA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Movies<\/strong><\/p>\n<p>Stanley Kubrick\u2019s famous film \u201cA Clockwork Orange\u201d prominently used Beethoven\u2019s Ninth Symphony but also found some time to squeeze in Rossini\u2019s famed overture in a rather bizarre and humorous fashion. The same happened in \u201cThe Princess Diaries.\u201d<\/p>\n<p><strong>The Price is Right<\/strong><\/p>\n<p>The final part of the overture also got featured during \u201cThe Price is Right\u2019s\u201d Hurdles <a href=\"https:\/\/youtu.be\/y_OF8MdQLd4?t=2m\">event<\/a>.<strong>\u00a0<\/strong><\/p>\n<p><strong>The Best Timeout in College Basketball<\/strong><\/p>\n<p>Indiana University has an entire routine dedicated to the overture during the third television time-out of its basketball games with the pep\u00a0band and cheerleading squad performing the piece. This event is often referred to \u201cThe Best Time Out in College Basketball.\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/8pb2WHR3Z2s\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rossini\u2019s \u201cGuillaume Tell\u201d is quite a unique case. Premiering on August 3, 1829, the opera is considered by many to contain some of Rossini\u2019s greatest dramatic genius. And yet the opera has never quite held a proper place in the operatic canon the way that his \u201cIl Barbiere di Siviglia\u201d or even \u201cLa Cenerentola\u201d have. And yet, in some ways,&nbsp;{&hellip;}<\/p>\n","protected":false},"author":2,"featured_media":8649,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[479,6],"tags":[852,69,2381],"class_list":["post-8647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-on-this-day","category-high-notes","tag-guillaume-tell","tag-rossini","tag-william-tell-overture"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The William Tell Overture&#039;s Massive Pop Culture Crossover - OperaWire<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The William Tell Overture&#039;s Massive Pop Culture Crossover - OperaWire\" \/>\n<meta property=\"og:description\" content=\"Rossini\u2019s \u201cGuillaume Tell\u201d is quite a unique case. Premiering on August 3, 1829, the opera is considered by many to contain some of Rossini\u2019s greatest dramatic genius. And yet the opera has never quite held a proper place in the operatic canon the way that his \u201cIl Barbiere di Siviglia\u201d or even \u201cLa Cenerentola\u201d have. And yet, in some ways,&nbsp;{&hellip;}\" \/>\n<meta property=\"og:url\" content=\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/\" \/>\n<meta property=\"og:site_name\" content=\"OperaWire\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/operawire\/\" \/>\n<meta property=\"article:published_time\" content=\"2018-08-03T04:00:36+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-27T12:28:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/operawire.com\/wp-content\/uploads\/2017\/07\/pjimage-19.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"David Salazar\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@operawirenews\" \/>\n<meta name=\"twitter:site\" content=\"@operawirenews\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"David Salazar\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/\"},\"author\":{\"name\":\"David Salazar\",\"@id\":\"https:\/\/operawire.com\/#\/schema\/person\/c889c748e34fb190f9ba97b1b89f0558\"},\"headline\":\"The William Tell Overture&#8217;s Massive Pop Culture Crossover\",\"datePublished\":\"2018-08-03T04:00:36+00:00\",\"dateModified\":\"2018-02-27T12:28:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/\"},\"wordCount\":400,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/operawire.com\/#organization\"},\"keywords\":[\"guillaume tell\",\"Rossini\",\"william tell overture\"],\"articleSection\":[\"On This Day\",\"Special Features\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/\",\"url\":\"https:\/\/operawire.com\/the-william-tell-overtures-massive-pop-culture-crossover\/\",\"name\":\"The William Tell Overture's Massive Pop Culture Crossover - 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His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. David holds a Masters in Media Management from Fordham University. During his time at Fordham, he studied abroad at the Jagiellonian University in Poland. 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