{"id":94924,"date":"2024-12-19T00:00:53","date_gmt":"2024-12-19T05:00:53","guid":{"rendered":"https:\/\/operawire.com\/?p=94924"},"modified":"2024-12-18T09:32:42","modified_gmt":"2024-12-18T14:32:42","slug":"hamburgmusik-2024-review-english-baroque-soloists-monteverdi-choir-christophe-rousset","status":"publish","type":"post","link":"https:\/\/operawire.com\/hamburgmusik-2024-review-english-baroque-soloists-monteverdi-choir-christophe-rousset\/","title":{"rendered":"HamburgMusik 2024-25 Review: English Baroque Soloists \/ Monteverdi Choir \/ Christophe Rousset"},"content":{"rendered":"<h6 style=\"text-align: right;\">(Credit: Paul Marc Mitchell)<\/h6>\n<p><span style=\"font-weight: 400;\">The holiday spirit resonated powerfully at the <a href=\"https:\/\/operawire.com\/?s=Elbphilharmonie\">Elbphilharmonie<\/a>\u2019s recent Christmas-themed concert, a year-end highlight crafted by the <a href=\"https:\/\/operawire.com\/?s=Monteverdi+Choir\">Monteverdi Choir<\/a> and the <a href=\"https:\/\/operawire.com\/?s=English+Baroque+Soloists\">English Baroque Soloists<\/a>. <a href=\"https:\/\/operawire.com\/?s=Christophe+Rousset\">Christophe Rousset<\/a>\u2019s much-anticipated debut as guest conductor, stepping in after <a href=\"https:\/\/operawire.com\/?s=Sir+John+Eliot+Gardiner\">Sir John Eliot Gardiner<\/a>\u2019s departure as artistic director, brought a fresh sense of artistic renewal and festive splendor. Drawing from the rich traditions of French and German Baroque music, Rousset and the ensemble took the audience on an enchanting musical journey, showcasing their exceptional artistry and energy.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">By pairing Charpentier&#8217;s &#8220;Messe de Minuit&#8221; with &#8220;No\u00ebls sur les instruments,&#8221; Rousset crafted a well-balanced first half through thoughtful programming. The graceful carols served as a charming prelude, while faster-paced pieces after the mass added a spirited finale. This structure not only created a satisfying musical arc but also subtly referenced the tradition of earlier parody masses, where compositions were built on pre-existing tunes.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rousset\u2019s direction emphasized dynamic interplay between choir and instruments, highlighting Charpentier&#8217;s masterful use of Baroque orchestration. The orchestra\u2019s jubilant tones\u2014especially from the violins, flutes, and basses\u2014captured both the spiritual depth and intricate beauty of the Baroque style. While the positive organ was more limited in tonal range than a grand organ, its rich resonance filled the acoustically stunning Elbphilharmonie.\u00a0<\/span><\/p>\n<h3>Standout Vocalists<\/h3>\n<p><span style=\"font-weight: 400;\">The vocalists were standout, blending clarity and expressiveness with remarkable finesse. Their &#8220;<\/span><span style=\"font-weight: 400;\">Kyrie&#8221; <\/span><span style=\"font-weight: 400;\">and &#8220;<\/span><span style=\"font-weight: 400;\">Gloria&#8221; <\/span><span style=\"font-weight: 400;\">radiated festive joy, with soprano lines soaring above the rich choral harmonies. The soloists brought dramatic contrast to the following movements, their voices intertwining with heartfelt precision. A particularly striking moment came with the soprano\u2019s tender &#8220;<\/span><span style=\"font-weight: 400;\">Quoniam tu solus Sanctus<\/span><span style=\"font-weight: 400;\">,&#8221; full of lyrical warmth. The choir\u2019s dynamic control and nuanced articulation shifted the mood effortlessly from the solemn &#8220;<\/span><span style=\"font-weight: 400;\">Crucifixus&#8221; <\/span><span style=\"font-weight: 400;\">to the exuberant &#8220;<\/span><span style=\"font-weight: 400;\">Agnus Dei<\/span><span style=\"font-weight: 400;\"><em>,&#8221;<\/em> leaving the audience deeply moved by Charpentier\u2019s seamless blend of sacred and popular traditions.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The second half showcased the young soloists\u2019 brilliance. It opened with Bach\u2019s &#8220;<\/span><span style=\"font-weight: 400;\">Schwingt freudig euch empor<\/span><span style=\"font-weight: 400;\">,&#8221; BWV 36c, a cantata bursting with joy and energy. The oboe d\u2019amore\u2019s lively solo set a cheerful tone, seamlessly leading into the choir\u2019s bright and powerful entrance. Soprano <a href=\"https:\/\/operawire.com\/?s=Hilary+Cronin\">Hilary Cronin<\/a>\u2019s aria offered a moment of contrast; her voice diverged from the ascending melody, followed by a thoughtful pause that highlighted the interaction with the instruments. Tenor <a href=\"https:\/\/operawire.com\/?s=Ruairi+Bowen\">Ruairi Bowen<\/a>, warmly supported by the oboe d\u2019amore, delivered an emotionally resonant performance. Each soloist sang with clarity and expression, balancing introspective passages with jubilant outbursts.<\/span><\/p>\n<h3>Rousset&#8217;s Inspiring Interpretation<\/h3>\n<p><span style=\"font-weight: 400;\">The concert concluded with Bach&#8217;s &#8220;<\/span><span style=\"font-weight: 400;\">Unser Mund sei voll Lachens<\/span><span style=\"font-weight: 400;\">,&#8221; BWV 110, a festive cantata composed for Christmas Day 1725. The French-style overture, featuring flute, trumpet, and timpani, set a celebratory tone from the first bar. The choir\u2019s fugal entry filled the hall with joyous energy, drawing appreciative murmurs from the audience. The young soloists embraced a more operatic style in this secular cantata, vividly portraying characters from the joyful to the contemplative while maintaining a dynamic connection with the listeners. Mezzo-soprano <a href=\"https:\/\/operawire.com\/?s=Rebecca+Leggett\">Rebecca Leggett<\/a> conveyed deep introspection and doubt in her aria, offering a reflective counterpoint to the exuberant bass aria. In the latter, <a href=\"https:\/\/operawire.com\/?s=Florian+St%C3%B6rtz\">Florian St\u00f6rtz<\/a>\u2019s commanding voice soared over bold trumpet fanfares and dazzling coloraturas, stirring the crowd. The final triumphant chorale faded, the concert hall erupted with enthusiastic cries of &#8220;Merci!&#8221; from Rousset&#8217;s devoted French fans, adding a heartfelt and spontaneous touch to the evening\u2019s celebration.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Though the concert faced a conductor change, Mr. Rousset\u2019s debut with the English Baroque Soloists more than made up for any initial disappointment. For devoted Baroque enthusiasts who might have attended Sir Gardiner\u2019s performance with his newly formed ensemble, The Constellation Orchestra, just a week earlier\u2014featuring a similar program\u2014this was a rare opportunity to compare the artistry of two distinguished early music specialists. Ultimately, Rousset&#8217;s interpretation stood out for its vitality, elegance, and emotional depth, leaving a lasting impression on all present.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Credit: Paul Marc Mitchell) The holiday spirit resonated powerfully at the Elbphilharmonie\u2019s recent Christmas-themed concert, a year-end highlight crafted by the Monteverdi Choir and the English Baroque Soloists. Christophe Rousset\u2019s much-anticipated debut as guest conductor, stepping in after Sir John Eliot Gardiner\u2019s departure as artistic director, brought a fresh sense of artistic renewal and festive splendor. Drawing from the rich&nbsp;{&hellip;}<\/p>\n","protected":false},"author":74,"featured_media":94963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[8,73],"tags":[22197,300,5917,21146,16682,20693,22641,14223],"class_list":["post-94924","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-review","category-stage-reviews","tag-christophe-rousset","tag-elbphilharmonie","tag-english-baroque-soloists","tag-florian-stortz","tag-hilary-cronin","tag-monteverdi-choir","tag-rebecca-leggett","tag-ruairi-bowen"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>HamburgMusik 2024-25 Review: English Baroque Soloists \/ Monteverdi Choir \/ Christophe Rousset - OperaWire<\/title>\n<meta name=\"description\" content=\"The holiday spirit resonated powerfully at the Elbphilharmonie\u2019s recent Christmas-themed concert, a year-end highlight crafted by the Monteverdi Choir and the English Baroque Soloists.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/operawire.com\/hamburgmusik-2024-review-english-baroque-soloists-monteverdi-choir-christophe-rousset\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"HamburgMusik 2024-25 Review: English Baroque Soloists \/ Monteverdi Choir \/ Christophe Rousset - 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