{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Operawire Staff","author_url":"https:\/\/operawire.com\/author\/operawireadmin2\/","title":"Sydney Symphony Orchestra 2024-25 Review: Die Walk\u00fcre - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rF5fYdUpmZ\"><a href=\"https:\/\/operawire.com\/sydney-symphony-orchestra-2024-review-die-walkure\/\">Sydney Symphony Orchestra 2024-25 Review: Die Walk\u00fcre<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/sydney-symphony-orchestra-2024-review-die-walkure\/embed\/#?secret=rF5fYdUpmZ\" width=\"600\" height=\"338\" title=\"&#8220;Sydney Symphony Orchestra 2024-25 Review: Die Walk\u00fcre&#8221; &#8212; OperaWire\" data-secret=\"rF5fYdUpmZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2024\/11\/Valkyries-on-stage-scaled.jpeg","thumbnail_width":2560,"thumbnail_height":1707,"description":"With \u201cDie Walk\u00fcre,\u201d the second opera of Richard Wagner\u2019s four-opera \"Ring\" cycle, the epic plot comes down to the human level, having begun in the first opera, \u201cDas Rheingold,\u201d in the realm of gods (albeit flawed), Rhinemaidens, giants, and other immortals."}