{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"David Salazar","author_url":"https:\/\/operawire.com\/author\/davesy22\/","title":"Opera Profile: Offenbach's 'Les Contes d'Hoffmann' - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"KQAwC8xT39\"><a href=\"https:\/\/operawire.com\/opera-profile-offenbachs-les-contes-dhoffmann\/\">Opera Profile: Offenbach&#8217;s &#8216;Les Contes d&#8217;Hoffmann&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/opera-profile-offenbachs-les-contes-dhoffmann\/embed\/#?secret=KQAwC8xT39\" width=\"600\" height=\"338\" title=\"&#8220;Opera Profile: Offenbach&#8217;s &#8216;Les Contes d&#8217;Hoffmann&#8217;&#8221; &#8212; OperaWire\" data-secret=\"KQAwC8xT39\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2017\/05\/2016-11-16-2774ashm_0743-VITTORIO-GRIGOLO-AS-HOFFMANN-SONYA-YONCHEVA-AS-ANTONIA-ROH-PHOTOGRAPHER-CATHERINE-ASHMORE.jpg","thumbnail_width":1360,"thumbnail_height":883,"description":"There are a number of operas in the standard repertory that were unfinished at the time of their respective composers\u2019 death, but none is perhaps more famous that \u201cLes Contes d\u2019Hoffmann\u201d by Jacques Offenbach. The work had its world premiere on Feb. 10, 1881 and by December it had already reached 100 performances. It has never had a difficult time&nbsp;{&hellip;}"}