{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Lois Silverstein","author_url":"https:\/\/operawire.com\/author\/loissilversteinopera\/","title":"San Francisco Opera 2022-23 Review: Antony and Cleopatra - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"5T6B6HpKnF\"><a href=\"https:\/\/operawire.com\/san-francisco-opera-2022-23-review-antony-and-cleopatra\/\">San Francisco Opera 2022-23 Review: Antony and Cleopatra<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/san-francisco-opera-2022-23-review-antony-and-cleopatra\/embed\/#?secret=5T6B6HpKnF\" width=\"600\" height=\"338\" title=\"&#8220;San Francisco Opera 2022-23 Review: Antony and Cleopatra&#8221; &#8212; OperaWire\" data-secret=\"5T6B6HpKnF\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2022\/09\/im-621920.jpg","thumbnail_width":860,"thumbnail_height":573,"description":"(Credit: Cory Weaver) &#8220;I am fire and air; my other elements I give to baser life.&#8221; So sings Cleopatra in John Adams&#8217; &#8220;Antony and Cleopatra.&#8221; The baser life about which Cleopatra sings is everything that is not she and everything that was not Antony. So Adams tells us in the latest from his roster of remarkable operas. San Francisco Opera&nbsp;{&hellip;}"}