{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"David Salazar","author_url":"https:\/\/operawire.com\/author\/davesy22\/","title":"Opera Profile: A Look at Leoncavallo's 'Pagliacci' - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IjWvVX45nz\"><a href=\"https:\/\/operawire.com\/opera-profile-a-look-at-leoncavallos-pagliacci\/\">Opera Profile: A Look at Leoncavallo&#8217;s &#8216;Pagliacci&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/opera-profile-a-look-at-leoncavallos-pagliacci\/embed\/#?secret=IjWvVX45nz\" width=\"600\" height=\"338\" title=\"&#8220;Opera Profile: A Look at Leoncavallo&#8217;s &#8216;Pagliacci&#8217;&#8221; &#8212; OperaWire\" data-secret=\"IjWvVX45nz\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2017\/05\/f57405b3a715d4f50e812a7df08c9101.jpg","thumbnail_width":338,"thumbnail_height":450,"description":"Leoncavallo\u2019s \u201cPagliacci\u201d has endured as a staple of the operatic canon since its premiere back on May 21, 1892. Leoncavallo was reportedly inspired to take on the work after seeing the success of Mascagni\u2019s masterwork \u201cCavalleria Rusticana\u201d and set out to write his own Verismo opera in one-act form. The result was a success that has often been associated with&nbsp;{&hellip;}"}