{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"David Salazar","author_url":"https:\/\/operawire.com\/author\/davesy22\/","title":"Metropolitan Opera 2016-17 Review - La Boh\u00e8me: This Is No Routine Production As Fabiano, P\u00e9rez & Co. Deliver Vivacity to Powerful Tragedy - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"o7aeduAM4w\"><a href=\"https:\/\/operawire.com\/metropolitan-opera-2016-17-review-la-boheme-this-is-no-routine-production-as-fabiano-perez-co-deliver-vivacity-to-powerful-tragedy\/\">Metropolitan Opera 2016-17 Review &#8211; La Boh\u00e8me: This Is No Routine Production As Fabiano, P\u00e9rez &#038; Co. Deliver Vivacity to Powerful Tragedy<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/metropolitan-opera-2016-17-review-la-boheme-this-is-no-routine-production-as-fabiano-perez-co-deliver-vivacity-to-powerful-tragedy\/embed\/#?secret=o7aeduAM4w\" width=\"600\" height=\"338\" title=\"&#8220;Metropolitan Opera 2016-17 Review &#8211; La Boh\u00e8me: This Is No Routine Production As Fabiano, P\u00e9rez &#038; Co. Deliver Vivacity to Powerful Tragedy&#8221; &#8212; OperaWire\" data-secret=\"o7aeduAM4w\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2017\/01\/combine_images-4.jpg","thumbnail_width":1883,"thumbnail_height":1500,"description":"This review is for the performance on Wednesday January 11 and is written jointly by David &amp; Francisco Salazar. Applause rang from every corner of the Metropolitan Opera, the audience awaiting the final performer to step onstage so that she too could get her accolades. The moment Ailyn P\u00e9rez walked out of the iconic golden curtain, she was not only&nbsp;{&hellip;}"}