{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"David Salazar","author_url":"https:\/\/operawire.com\/author\/davesy22\/","title":"No Hero: Why Calaf Is The Dramatic Problem In Puccini's 'Turandot' - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Z9xNQP3uCh\"><a href=\"https:\/\/operawire.com\/no-hero-why-calaf-is-the-dramatic-problem-in-puccinis-turandot\/\">No Hero: Why Calaf Is The Dramatic Problem In Puccini&#8217;s &#8216;Turandot&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/no-hero-why-calaf-is-the-dramatic-problem-in-puccinis-turandot\/embed\/#?secret=Z9xNQP3uCh\" width=\"600\" height=\"338\" title=\"&#8220;No Hero: Why Calaf Is The Dramatic Problem In Puccini&#8217;s &#8216;Turandot&#8217;&#8221; &#8212; OperaWire\" data-secret=\"Z9xNQP3uCh\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2019\/04\/Turandot-Brian-Jagde-San-Francisco.jpg","thumbnail_width":1280,"thumbnail_height":720,"description":"\u201cTurandot\u201d is one of the most popular operas in the entire canon. It\u2019s fairy tale story set in an ancient exotic culture and has been the base for some of the most extravagant and ingenious productions to ever grace any opera stage. It features some of the most riveting melodies of all time (\u201cNessun Dorma\u201d is but one of several&nbsp;{&hellip;}"}