{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Lois Silverstein","author_url":"https:\/\/operawire.com\/author\/loissilversteinopera\/","title":"San Francisco Opera Virtual Review 2021: G\u00f6tterd\u00e4mmerung - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"d8FUBeoo4s\"><a href=\"https:\/\/operawire.com\/san-francisco-opera-virtual-review-2021-gotterdammerung\/\">San Francisco Opera Virtual Review 2021: G\u00f6tterd\u00e4mmerung<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/san-francisco-opera-virtual-review-2021-gotterdammerung\/embed\/#?secret=d8FUBeoo4s\" width=\"600\" height=\"338\" title=\"&#8220;San Francisco Opera Virtual Review 2021: G\u00f6tterd\u00e4mmerung&#8221; &#8212; OperaWire\" data-secret=\"d8FUBeoo4s\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2021\/03\/Jrj138jP.jpg","thumbnail_width":1000,"thumbnail_height":1000,"description":"The beauty of \u201cG\u00f6tterd\u00e4mmerung\u201d is not only that it is the artful conclusion to the massive cycle of thoughts, ideas, story, and feelings that are its previous operas, but that it is its own lift to all that precedes it. Love and lust, jealousy and power, greed and hate, infinity and finitude, community and individualism &#8211; all take their place&nbsp;{&hellip;}"}