{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Francisco Salazar","author_url":"https:\/\/operawire.com\/author\/franalejo1989\/","title":"Metropolitan Opera 2023-24 Review: Un Ballo in Maschera - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"onE3IkbME9\"><a href=\"https:\/\/operawire.com\/metropolitan-opera-2023-24-review-un-ballo-in-maschera\/\">Metropolitan Opera 2023-24 Review: Un Ballo in Maschera<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/metropolitan-opera-2023-24-review-un-ballo-in-maschera\/embed\/#?secret=onE3IkbME9\" width=\"600\" height=\"338\" title=\"&#8220;Metropolitan Opera 2023-24 Review: Un Ballo in Maschera&#8221; &#8212; OperaWire\" data-secret=\"onE3IkbME9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2023\/10\/BAL23_1661c-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"(Credit: Ken Howard \/ Met Opera) The Metropolitan Opera is in the midst of reviving &#8220;Un Ballo in Maschera&#8221; for the first time since 2015. Considered one of Verdi\u2019s masterpieces, the work has some of the greatest arias and ensembles the composer ever wrote. For this revival, the Met brought a solid cast in an unfortunate production that should have&nbsp;{&hellip;}"}