{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Francisco Salazar","author_url":"https:\/\/operawire.com\/author\/franalejo1989\/","title":"Five Rossini Works That Should Be Part Of The Standard Repertoire - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rsJ9yMXC90\"><a href=\"https:\/\/operawire.com\/five-rossini-works-that-should-be-part-of-the-standard-repertoire\/\">Five Rossini Works That Should Be Part Of The Standard Repertoire<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/five-rossini-works-that-should-be-part-of-the-standard-repertoire\/embed\/#?secret=rsJ9yMXC90\" width=\"600\" height=\"338\" title=\"&#8220;Five Rossini Works That Should Be Part Of The Standard Repertoire&#8221; &#8212; OperaWire\" data-secret=\"rsJ9yMXC90\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2018\/02\/pjimage-40.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Gioachino Rossini is one of the three Bel Canto masters whose music has been performed regularly over the years. However, unlike Bellini or Donizetti, Rossini has gotten the reputation for being a composer of comedy and sometimes his opera seria has been overlooked in favor of such masterpieces as &#8220;Il Barbiere di Siviglia,&#8221; &#8220;Le Comte Ory,&#8221; &#8220;La Cenerentola&#8221; and &#8220;Il&nbsp;{&hellip;}"}