{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Polina Lyapustina","author_url":"https:\/\/operawire.com\/author\/polinaopera\/","title":"Criticism on Fridays: Opera As a Part Of Political Strategy? - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"JqBi1YOQfy\"><a href=\"https:\/\/operawire.com\/criticism-on-fridays-opera-as-a-part-of-political-strategy\/\">Criticism on Fridays: Opera As a Part Of Political Strategy?<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/criticism-on-fridays-opera-as-a-part-of-political-strategy\/embed\/#?secret=JqBi1YOQfy\" width=\"600\" height=\"338\" title=\"&#8220;Criticism on Fridays: Opera As a Part Of Political Strategy?&#8221; &#8212; OperaWire\" data-secret=\"JqBi1YOQfy\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2023\/01\/choice-gfcdfeb474_1920-1.jpg","thumbnail_width":1280,"thumbnail_height":720,"description":"Just before the New Year celebration, the Lithuanian capital was seething with indignation and anger : one of the most famous Lithuanian singers in the world, Kristian Benedikt, had participated in the Christmas concert at the Bolshoi Theatre in Minsk.\u00a0 It was not the most understandable and logical decision on the part of the Lithuanian tenor, especially at a time&nbsp;{&hellip;}"}