{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Mauricio Villa","author_url":"https:\/\/operawire.com\/author\/mauriciovillaopera\/","title":"Op\u00e9ra National de Bordeaux 2021-22 Review: Robert le Diable - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NgaHcMXNnG\"><a href=\"https:\/\/operawire.com\/opera-national-de-bordeaux-2021-22-review-robert-le-diable\/\">Op\u00e9ra National de Bordeaux 2021-22 Review: Robert le Diable<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/opera-national-de-bordeaux-2021-22-review-robert-le-diable\/embed\/#?secret=NgaHcMXNnG\" width=\"600\" height=\"338\" title=\"&#8220;Op\u00e9ra National de Bordeaux 2021-22 Review: Robert le Diable&#8221; &#8212; OperaWire\" data-secret=\"NgaHcMXNnG\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2021\/10\/pjimage-2.jpg","thumbnail_width":1000,"thumbnail_height":1000,"description":"\u00a0(Credit: Pierre Planchenaul) &#8220;Robert le Diable&#8221; premiered at the Par\u00eds Opera in 1831. The immediate success of the piece led its composer, Giacomo Meyerbeer, to sudden international stardom. This opera set the standard for French Grand Opera, with the story divided into five acts, ballet numbers, great pompous chorus scenes, and the latest theatrical effects. It became the ultimate form&nbsp;{&hellip;}"}