{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"David Salazar","author_url":"https:\/\/operawire.com\/author\/davesy22\/","title":"Opera Profile: 'Tristan und Isolde,' The Most Revolutionary Opera of the 19th Century - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"UTDfrA6hZT\"><a href=\"https:\/\/operawire.com\/opera-profile-tristan-und-isolde-the-most-revolutionary-opera-of-the-19th-century\/\">Opera Profile: &#8216;Tristan und Isolde,&#8217; The Most Revolutionary Opera of the 19th Century<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/opera-profile-tristan-und-isolde-the-most-revolutionary-opera-of-the-19th-century\/embed\/#?secret=UTDfrA6hZT\" width=\"600\" height=\"338\" title=\"&#8220;Opera Profile: &#8216;Tristan und Isolde,&#8217; The Most Revolutionary Opera of the 19th Century&#8221; &#8212; OperaWire\" data-secret=\"UTDfrA6hZT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2017\/08\/Tri_To_070716_057_EnricoNawrath_presse.jpg","thumbnail_width":1600,"thumbnail_height":1066,"description":"\u201cTristan und Isolde,\u201d which had its world premiere on June 10, 1865, might be the greatest opera of all time. Or it might simply be the most revolutionary. Its entire musical philosophy was so unique that it revolutionized classical music forever. Wagner wrote the work after falling in love with the philosophy of Arthur Schopenhauer. He also was involved in&nbsp;{&hellip;}"}