{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"David Salazar","author_url":"https:\/\/operawire.com\/author\/davesy22\/","title":"Manon Lescaut CD Review: Anna Netrebko & Yusif Eyvazov Deliver Puccini's 'Desperate Passion' in Intelligent Performance - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wL0sqPs0I2\"><a href=\"https:\/\/operawire.com\/manon-lescaut-cd-review-anna-netrebko-yusif-eyvazov-deliver-puccinis-desperate-passion-in-intelligent-performance\/\">Manon Lescaut CD Review: Anna Netrebko &#038; Yusif Eyvazov Deliver Puccini&#8217;s &#8216;Desperate Passion&#8217; in Intelligent Performance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/manon-lescaut-cd-review-anna-netrebko-yusif-eyvazov-deliver-puccinis-desperate-passion-in-intelligent-performance\/embed\/#?secret=wL0sqPs0I2\" width=\"600\" height=\"338\" title=\"&#8220;Manon Lescaut CD Review: Anna Netrebko &#038; Yusif Eyvazov Deliver Puccini&#8217;s &#8216;Desperate Passion&#8217; in Intelligent Performance&#8221; &#8212; OperaWire\" data-secret=\"wL0sqPs0I2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2016\/12\/hires-Manon_Lescaut_Yusif_Eyvazov_Anna_Netrebko_Muenchner_Rundfunkorchester_1_c_SF_Marco_Borrelli.jpg","thumbnail_width":5130,"thumbnail_height":3380,"description":"When Puccini set out to write his \u201cManon Lescaut,\u201d the composer drew attention to his \u201cfeeling it like an Italian, with a desperate passion.\u201d Though the comment came in the context of his comparing it with Massenet\u2019s own interpretation of the work, that idea of desperation has certainly played into numerous readings of the work. A look at the catalogue&nbsp;{&hellip;}"}