{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Francisco Salazar","author_url":"https:\/\/operawire.com\/author\/franalejo1989\/","title":"Q & A: Matej Drli\u010dka on His Dismissal From Slovak National Theatre & Rise of Authoritarian Regimes - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"8dAfFWGbqM\"><a href=\"https:\/\/operawire.com\/q-a-matej-drlicka-on-his-dismissal-from-slovak-national-theatre-rise-of-authoritarian-regimes\/\">Q &#038; A: Matej Drli\u010dka on His Dismissal From Slovak National Theatre &#038; Rise of Authoritarian Regimes<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/q-a-matej-drlicka-on-his-dismissal-from-slovak-national-theatre-rise-of-authoritarian-regimes\/embed\/#?secret=8dAfFWGbqM\" width=\"600\" height=\"338\" title=\"&#8220;Q &#038; A: Matej Drli\u010dka on His Dismissal From Slovak National Theatre &#038; Rise of Authoritarian Regimes&#8221; &#8212; OperaWire\" data-secret=\"8dAfFWGbqM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2024\/11\/drlicka_matej_osoby.jpg","thumbnail_width":255,"thumbnail_height":255,"description":"Content Warning: There is some explicit language in the content of this article.\u00a0 On August 6, the head of the Slovak National Theatre, Matej Drli\u010dka, was informed of his dismissal by an officer from the Ministry of Culture. He was one of the many directors who were dismissed by the new Minister alleging Drli\u010dka had criticized her ministry and had&nbsp;{&hellip;}"}