{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"OperaWire","author_url":"https:\/\/operawire.com\/author\/operawireediting\/","title":"Opera Meets Film: In Conversation With Mario Bergmann About the 'Opera Music Video' - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"efuJaop2QE\"><a href=\"https:\/\/operawire.com\/opera-meets-film-in-conversation-with-mario-bergmann-about-the-opera-music-video\/\">Opera Meets Film: In Conversation With Mario Bergmann About the &#8216;Opera Music Video&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/opera-meets-film-in-conversation-with-mario-bergmann-about-the-opera-music-video\/embed\/#?secret=efuJaop2QE\" width=\"600\" height=\"338\" title=\"&#8220;Opera Meets Film: In Conversation With Mario Bergmann About the &#8216;Opera Music Video&#8217;&#8221; &#8212; OperaWire\" data-secret=\"efuJaop2QE\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2023\/12\/386A5714-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"Having grown up with opera in the traditional format, meaning either you go and sit quietly while the opera is performed and only then do you show your adoration or you perform in the opera following a very strict set of procedures which you\u2019re lucky if you get to extend as a soloist. My gut reaction to opera innovation is&nbsp;{&hellip;}"}