{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Polina Lyapustina","author_url":"https:\/\/operawire.com\/author\/polinaopera\/","title":"Donizetti Opera Festival 2024 Review: Roberto Devereux - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yU6O7hS8oQ\"><a href=\"https:\/\/operawire.com\/donizetti-opera-festival-2024-review-roberto-devereux\/\">Donizetti Opera Festival 2024 Review: Roberto Devereux<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/donizetti-opera-festival-2024-review-roberto-devereux\/embed\/#?secret=yU6O7hS8oQ\" width=\"600\" height=\"338\" title=\"&#8220;Donizetti Opera Festival 2024 Review: Roberto Devereux&#8221; &#8212; OperaWire\" data-secret=\"yU6O7hS8oQ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2024\/11\/D024-Roberto-Devereux_GFR_6253.jpg","thumbnail_width":1280,"thumbnail_height":720,"description":"Raising a child is a complicated process. Raising a prodigious one is absolutely unforeseen and fraught with constant error, for no ordinary laws apply here. The Donizetti Festival in Bergamo, although still an officious event, always seemed to be this prodigy for me, every year somehow attempting to prove that Donizetti&#8217;s music might be the center of the opera world.&nbsp;{&hellip;}"}