{"version":"1.0","provider_name":"OperaWire","provider_url":"https:\/\/operawire.com","author_name":"Logan Martell","author_url":"https:\/\/operawire.com\/author\/marcusmarrero\/","title":"Opera Profile: Puccini's 'Madama Butterfly' - OperaWire","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WVoqpDVgsq\"><a href=\"https:\/\/operawire.com\/opera-profile-puccinis-madama-butterfly\/\">Opera Profile: Puccini&#8217;s &#8216;Madama Butterfly&#8217;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/operawire.com\/opera-profile-puccinis-madama-butterfly\/embed\/#?secret=WVoqpDVgsq\" width=\"600\" height=\"338\" title=\"&#8220;Opera Profile: Puccini&#8217;s &#8216;Madama Butterfly&#8217;&#8221; &#8212; OperaWire\" data-secret=\"WVoqpDVgsq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/operawire.com\/wp-content\/uploads\/2018\/02\/pjimage-15-1.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"Making its premiere on February 17, 1904, \u201cMadama Butterfly\u201d is one of the most prominent works not only to come from composer Giacomo Puccini, but in the operatic canon as well. Despite this, its initial premiere at Milan\u2019s Teatro all Scala was received unfavorably by critics and audiences. This is attributed to lack of time to rehearse the work, given&nbsp;{&hellip;}"}