1.0OperaWirehttps://operawire.comDavid Salazarhttps://operawire.com/author/davesy22/rich600338<blockquote class="wp-embedded-content" data-secret="chSMBPvQtw"><a href="https://operawire.com/turandot-dvd-review-berios-ending-in-dc-la-scala-release-brings-out-the-best-in-nina-stemme-aleksandrs-antonenko-maria-agresta/">‘Turandot’ DVD Review: Berio’s Ending in La Scala Release Brings Out The Best in Nina Stemme, Aleksandrs Antonenko & Maria Agresta</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://operawire.com/turandot-dvd-review-berios-ending-in-dc-la-scala-release-brings-out-the-best-in-nina-stemme-aleksandrs-antonenko-maria-agresta/embed/#?secret=chSMBPvQtw" width="600" height="338" title="“‘Turandot’ DVD Review: Berio’s Ending in La Scala Release Brings Out The Best in Nina Stemme, Aleksandrs Antonenko & Maria Agresta” — OperaWire" data-secret="chSMBPvQtw" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://operawire.com/wp-content/uploads/2017/01/Turandot-Scala-201513-1000x600.jpg1000600The ending of Puccini’s “Turandot” is one of opera’s great tragedies. The composer, at the peak of his power, had composed his most musically daring work to date with some of his most phenomenal strokes of dramatic genius alongside some of his most riveting and enduring melodies. And yet, when he was ever so close to completing it, he hit {…}