1.0OperaWirehttps://operawire.comDavid Salazarhttps://operawire.com/author/davesy22/Opera Meets Film: How Wagner's 'Ride of the Valkyries' Exposes Moral Corruption, Not Heroism, of American Forces in 'Apocalypse Now' - OperaWirerich600338<blockquote class="wp-embedded-content" data-secret="pdiVT1sVTc"><a href="https://operawire.com/opera-meets-film-how-wagners-ride-of-the-valkyries-exposes-moral-corruption-not-heroism-of-american-forces-in-apocalypse-now/">Opera Meets Film: How Wagner’s ‘Ride of the Valkyries’ Exposes Moral Corruption, Not Heroism, of American Forces in ‘Apocalypse Now’</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://operawire.com/opera-meets-film-how-wagners-ride-of-the-valkyries-exposes-moral-corruption-not-heroism-of-american-forces-in-apocalypse-now/embed/#?secret=pdiVT1sVTc" width="600" height="338" title="“Opera Meets Film: How Wagner’s ‘Ride of the Valkyries’ Exposes Moral Corruption, Not Heroism, of American Forces in ‘Apocalypse Now’” — OperaWire" data-secret="pdiVT1sVTc" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://operawire.com/wp-content/uploads/2017/08/pjimage-6-2.jpg19201080“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Francis Ford Coppola’s {…}