1.0OperaWirehttps://operawire.comOperaWirehttps://operawire.com/author/operawireediting/rich600338<blockquote class="wp-embedded-content" data-secret="ZwGQd2XRQk"><a href="https://operawire.com/opera-profile-leonardo-vincis-artasere/">Opera Profile: Leonardo Vinci’s ‘Artaserse’</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://operawire.com/opera-profile-leonardo-vincis-artasere/embed/#?secret=ZwGQd2XRQk" width="600" height="338" title="“Opera Profile: Leonardo Vinci’s ‘Artaserse’” — OperaWire" data-secret="ZwGQd2XRQk" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://operawire.com/wp-content/uploads/2024/03/artaserse01.jpg1000667Photo Credit: Concerto Köln Much like his contemporaries during the 18th century, Leonardo Vinci, a highly important but relatively overlooked Italian composer from the first-half of the 18th century whose 40 operas have gone relatively ignored by contemporary opera and early opera alike, used mythology and extant fiction like everyone else at his time. His final opera, composed the year {…}